Smalltimore Soundtrack Details Released!

[Soundtrack artists T.T.Tucker and Jen Swartout - photo by Richard Payne]

For all those who have been asking, here is the detailed list of the soundtrack and the artists' sites that you can find (most of) the songs on. Currently I have no plans to produce the soundtrack on CDs as that takes time and money I don't have at the moment. Plus, I'd like the artists to be able to get all the money themselves, and you can find some more of their songs that you like in the process! I will also try to keep you posted on the fan page as to when these bands and solo artists are performing locally. They are all even better in person, so please get out there and support them. A lot of them are on Facebook and MySpace, friend them so you can keep up with them also.

Here you go, the info you need to create your own soundtrack! I've identified the scenes so that I don't release any spoilers, but if you have seen the movie you will know what I am talking about. Enjoy!

T.T.Tucker & the Bum Rush Band
www.tttucker.com
Natty Boh (opening scene at Dougherty's)
That Was Then/This Is Now (1st scene at Wind-Up)
How Did We Survive (2nd scene at Wind-up)
Garden of Stone (3rd scene at Wind-Up)
See You On the Other Side (not yet released)(driving scene)
Move It Along (background at party)
Looking at You, Looking at Me (background at party)
America Is One Tough Town (not yet released)(final Tucker song at party)

The Remnants
www.theremnants.com, also on FB and MySpace
Nobody Home (Wind-Up background into 1st scene at gallery)
Wastin' Time (1st date scene on couch)
Save The World (Dougherty's scene with the Voice of Reason)
Small Circles (background song at Dougherty's)
Easier (confrontation scene at Gracie's house)
Everything's Good (Drew & Thom's heart-to-heart into Monument scene)
I'm a Man (Tony's front porch)
Ain't Got a Lot (Wind-Up Space background, Darik exits)
One Horse Town (Wind-Up Space background, Gracie & Thom talk)
Stand My Ground (Wind-Up Space, band exits)
Take This Ride (Courthouse ext into party scene)

Jen Swartout
www.myspace.com/jenswartout (also on FB)
Tell Her This (Darik & Gracie talk at Dougherty's)
She's So Beautiful (Gracie arrives at Mel's apartment)
Easter Sunday (post-fight montage)

Joyce J. Scott
(no website but I can connect you if you'd like her CD)
Breathe (Mrs. T's discovery)
Ho, Sally (Mrs. T's snack)
Crimes (Committed in the Name of Love)(finale)

Niki Lee
www.nikilee.com
Bohemia (opening credits)
Patterson Place (background song at party)
Triolets (slow dance at party)

Lawnchair
www.myspace.com/lawnchair
Top Down (background at 1st scene in Dougherty's)
Hard to Swallow (parking lot fight)

The Degenerettes
www.thedegenerettes.com
Get Out (first date dinner)
Baltimore (sushi restaurant)

Lauren Young (also on FB)
www.myspace.com/laurenyoungmusic
Second Best (pool room at Dougherty's)
Pretty Girls (Tony's front porch,morning)

Lazerbitch (also on FB)
www.myspace.com/lazerbitch
Do Me Wrong (Dionysus scene, Angela arrives)

Reina Williams
www.myspace.com/reinawilliams (also on FB)
Just Move (Wind-Up scene into Bentley's apartment)

and

Brynn McCoy
(contact Reina for this one, as she produced it)
Fuck You (Angela and Drew talk at Dougherty's)

Third Time, Getting More Charming

The strangest thing happened a couple of days ago. I started editing, taking a third pass at the movie... and I am not even at the threshold of a deadline!!! I mean, there is one coming up pretty quick, but it is not even the 8th hour, let alone the eleventh. Hmm, I wondered, what gives?

Well, it is not that hard to figure out, really. It is, I am, all about the music right now. Recently Libby, "Lazerbitch" Picken and The Degenerettes joined the cause, and I couldn't wait to find a spot to fit their tunes into. Then on Saturday I went to see The Remnants perform at Cat's Eye (they are there again on 3/27, you must go!!!). Tom Boynton, their singer, songwriter, self-appointed Benevolent Dictator, sent me several shout-outs regarding the movie during their sets. I don't care who you are, having the band say your name onstage is a good feeling, not to mention boku cool points. (Do people say "boku" anymore? Damn, I may just have sent myself into negative points...)

It is simply astounding the difference that music can make when it is perfectly paired with a scene. It is hard to figure out the sound levels, so I have been watching other romantic comedies that have bar and restaurant scenes to help me make educated guesses. Another lesson learned... don't forget that if there is supposed to be music in the background, have your actors talk loudly during taping (when you, of course, have silence in the background).

But what has been happening this week has been very cool... I find myself actually craving to watch a scene that I know I have found the exact perfect song for, when as of just a few weeks ago I was pretty sick of looking at the whole thing and was getting bored of it. But now I have found yet another challenge, another puzzle, and as the pieces fall into place I find it immensely satisfying.

Another facet of that satisfaction is me wanting to make dead certain that all of these musicians who have gotten on board are, in the end, absolutely proud of being associated with "Smalltimore." That, in regards to the actors and crew, was a driving force during the first months of editing. I hadn't expected or thought about that happening again with the musicians. But it is just what I needed to happen.

I think it was seeing Tom onstage saying my name (now I just have to get him to say the name of the film :) ) that did it for me. I've known his music for a decade and have such respect for him and his talent. To see him so tickled, and proud, when I told him I want to use at least six of The Remnants songs, well... it touched me. He hasn't seen anything more than the trailer, and he barely knows me, and he agreed whole-heartedly to do this. I can't let him down.

The last week and a half have been lots of fun, I have been out almost every night, catching up with friends old and new (and the Steelers kicking this period off by winning the Super Bowl for me - that's right, just for me - didn't hurt my mood one bit). I have been so far off the grid for so long, or at least it feels that way, that I was afraid that when I finally came up for air that all my friends would be mad at me or have forgotten me altogether. It has been quite the opposite, and additionally my social skills have not seemed to degrade at all, so that is a good thing. Gives me hope, because I need to get back to business soon, but I can see the light at the end of the tunnel, and then it will be time to start narrowing down the festivals to submit to. It is all good, and though my sleep patterns have still not quite recovered, when I do find myself watching the glow-in-the-dark stars on the ceiling over my bed fade in the wee hours, I am often aware there is a smile on my face.