Showing posts with label lazerbitch. Show all posts
Showing posts with label lazerbitch. Show all posts

Thursday, May 7, 2009

Smalltimore Soundtrack Details Released!



[Soundtrack artists T.T.Tucker and Jen Swartout - photo by Richard Payne]

For all those who have been asking, here is the detailed list of the soundtrack and the artists' sites that you can find (most of) the songs on. Currently I have no plans to produce the soundtrack on CDs as that takes time and money I don't have at the moment. Plus, I'd like the artists to be able to get all the money themselves, and you can find some more of their songs that you like in the process! I will also try to keep you posted on the fan page as to when these bands and solo artists are performing locally. They are all even better in person, so please get out there and support them. A lot of them are on Facebook and MySpace, friend them so you can keep up with them also.

Here you go, the info you need to create your own soundtrack! I've identified the scenes so that I don't release any spoilers, but if you have seen the movie you will know what I am talking about. Enjoy!

T.T.Tucker & the Bum Rush Band
www.tttucker.com
Natty Boh (opening scene at Dougherty's)
That Was Then/This Is Now (1st scene at Wind-Up)
How Did We Survive (2nd scene at Wind-up)
Garden of Stone (3rd scene at Wind-Up)
See You On the Other Side (not yet released)(driving scene)
Move It Along (background at party)
Looking at You, Looking at Me (background at party)
America Is One Tough Town (not yet released)(final Tucker song at party)

The Remnants
www.theremnants.com, also on FB and MySpace
Nobody Home (Wind-Up background into 1st scene at gallery)
Wastin' Time (1st date scene on couch)
Save The World (Dougherty's scene with the Voice of Reason)
Small Circles (background song at Dougherty's)
Easier (confrontation scene at Gracie's house)
Everything's Good (Drew & Thom's heart-to-heart into Monument scene)
I'm a Man (Tony's front porch)
Ain't Got a Lot (Wind-Up Space background, Darik exits)
One Horse Town (Wind-Up Space background, Gracie & Thom talk)
Stand My Ground (Wind-Up Space, band exits)
Take This Ride (Courthouse ext into party scene)

Jen Swartout
www.myspace.com/jenswartout (also on FB)
Tell Her This (Darik & Gracie talk at Dougherty's)
She's So Beautiful (Gracie arrives at Mel's apartment)
Easter Sunday (post-fight montage)

Joyce J. Scott
(no website but I can connect you if you'd like her CD)
Breathe (Mrs. T's discovery)
Ho, Sally (Mrs. T's snack)
Crimes (Committed in the Name of Love)(finale)

Niki Lee
www.nikilee.com
Bohemia (opening credits)
Patterson Place (background song at party)
Triolets (slow dance at party)

Lawnchair
www.myspace.com/lawnchair
Top Down (background at 1st scene in Dougherty's)
Hard to Swallow (parking lot fight)

The Degenerettes
www.thedegenerettes.com
Get Out (first date dinner)
Baltimore (sushi restaurant)

Lauren Young (also on FB)
www.myspace.com/laurenyoungmusic
Second Best (pool room at Dougherty's)
Pretty Girls (Tony's front porch,morning)

Lazerbitch (also on FB)
www.myspace.com/lazerbitch
Do Me Wrong (Dionysus scene, Angela arrives)

Reina Williams
www.myspace.com/reinawilliams (also on FB)
Just Move (Wind-Up scene into Bentley's apartment)

and

Brynn McCoy
(contact Reina for this one, as she produced it)
Fuck You (Angela and Drew talk at Dougherty's)

Friday, March 13, 2009

T.T. Tucker, a.k.a. Tom Diventi, as Himself



This weekend is jam-packed with music, so what better time to profile my dear friend T.T. Tucker?

I am not sure when I first met Tucker. It was at least 10 years ago, and I am sure a good bit of alcohol was involved. I probably met him through Thom Hickling, or it may have been the other way around. Or it may have been through Anne Fulweiler at Baltimore Theater Project. It's a mystery.

I have always known him as Tucker, and that is what he likes to go by, but as more people hear about, "Smalltimore," and see the trailer, I have had more than one person say, "Tom Diventi?! I know that guy!!!" Said people are often musicians, late forties to early fifties, and won't give me much more information than some sort of vague, "it was 'back in the day'," kind of answer. It is probably better to not know the details, so I don't press the issue.

Again, don't really remember how it came about (and this was only 10 years ago, not 30, so maybe those people aren't being as purposely elusive with the details as I sometimes think they are), but I hired Tucker and his band, the Bum Rush Band, to play at my second annual holiday party. The 10th and final one was in December 2007, when I announced I would be making this movie, which was nearly precisely the moment when my previous life-as-I-had-known-it vaporized. The place where I work my day job and had that party is a very ornate Victorian mansion in Mount Vernon. Tall gilt mirrors over marble fireplace mantles, a Knabe square grand piano that is likely older than the house itself, one of the most beautiful chandeliers I have ever seen, decoupage on the ceilings, each room has a different pattern AND different border pattern in the parquet floors... you get the idea... and every guest dressed as if they are going to the Baltimore version of Oscar night...

Enter T.T.Tucker & the Bum Rush Band.

I have a magnet on my refrigerator which holds up a photograph of my parents. It says, "The meeting of two personalities is like the contact of two chemical substances; if there is any reaction, both are transformed."

T.T.Tucker plays an upscale party in a turn-of-the-century mansion. This ought to be interesting.

It was awesome, so awesome that Tucker & the boys played every holiday party of mine thereafter. The first year of the party, in 1998, I had a more conservative, soft rock sort of band. They were lovely, but I don't think a single person danced. Tucker arrived year two, and played the final 9 of 10 parties. What was so great about this seeming miss-match of performer and venue is that to me, it represented all things Baltimore. Like most people, my friends and acquaintances love to dress to the nines, sip champagne over great food and conversation... generally speaking, who doesn't like to play grown-up? And how many times a year do you actually get to do so? But the beauty, the REAL beauty of being a grown-up is never having to hear, "while you're under my roof..." again, because now it is YOUR roof. And under my roof, the rule is, you gotta have a good time.

So, being a grown-up, I can have ice cream for breakfast. Stay up late. Skip the lima beans. And hire a cow-punk/southern rock/rockabilly/whatever you want to call them , loud, fun band for my hoity-toity holiday party! And it worked! It really worked. I think having Tucker and the guys play kept the party legitimately Baltimore. Here are a whole bunch of people who don't spend a lot of time in high heels or suit jackets. I think if I had a string trio playing chamber music, we would all have felt like imposters. But instead, having Tucker there I feel made everyone relax, have fun, and be able to be themselves. Some years Tucker would dress up, too. Some years he'd show up with his signature jeans jacket with the sleeves cut off. It didn't matter to me. T.T.Tucker and the Bum Rush Band made my now-legendary parties just that. They wouldn't have been the same without him.

Tucker's role in "Smalltimore," is not huge, but he is so perfectly himself in it. He ad-libbed more than any other actor in the film, and I let him, because he was always natural and always funny. He and the Bum Rush boys - Jamie Wilson, Wayne Werner, Craig Hopwood, and Stevie Cecil - were so helpful and cooperative in helping Phil Calvert to get a grasp on the role of Thom, which was based loosely on their deceased bandmate, Thom Hickling. Tucker and the guys told Phil loads of stories about Thom, practiced songs with him on their own time before we started production, and even let him sit in on a live gig at the Cat's Eye Pub. I know that working through this story with a make-believe Thom had to have been a bit tough for Tucker. It was tough for me, but Thom was Tucker's best friend. He never complained about that, though, even when I asked. He keeps those things to himself. Though you might hear it in a song of his.

Tucker & the guys are featured performing songs in Smalltimore such as "How Did We Survive," "That Was Then/This is Now," and "Garden of Stone," as well as contributing several other songs as background music. They did me the huge favor of recording two songs that I wanted specifically for the movie - "America is One Tough Town," which, when Tucker first wrote and started playing that at gigs, replaced "That Was Then/This Is Now" as my favorite T.T.Tucker song. You can also hear it on the trailer (click on top video at the right). As a matter of fact, you can hear "That Was Then" on the original teaser, which is the video on the bottom right.

The other song they recorded for me is, "The Other Side", a song that Tucker wrote for Thom after Thom died in December 2005. The day after Thom died I went out of town and was gone for almost a month, so I missed 2 of the 3 memorial gatherings that different groups of Thom's friends and co-workers had for him. Tucker and the band played these parties, and played this song at one or both of them. I was back in time for the final party, but by then Tucker decided they couldn't play that song live anymore, it was just too sad and would bring the house down, not in a good way, and it was just too much for Tucker and the guys personally. So I have never, ever heard that song performed live, and I doubt I ever will. But "Smalltimore" is dedicated to Thom, and I really wanted it for the soundtrack. Again without complaint, Tucker and the guys worked hard to get the song done in time for me to edit it into the film in time for the December 27th (third anniversary of Thom's death) screening of the rough cut of the movie. I know it was a sacrifice of time for all of them, and just plain not an easy thing to do, emotionally. Words can't express my appreciation to Tucker, Jamie, Craig, Stevie and Wayne for doing that. It is a beautiful song, and it breaks my heart every time.

But on to happier things. T.T.Tucker & the Bum Rush Band are playing at the Cat's Eye Pub in Fells Point this Sunday night, March 15th. I'll be there, so come on down and say hi, have a Natty Bo, throw a few dollars in the tip bucket! They are there the third Sunday of every month. Click on their link under the "Partners in Crime" section on the right to view their web page and link to their songs. Whether you know him as T.T.Tucker or as Tom Diventi, there is no denying that he is a piece of work, and a piece of work that can play the hell out of a song.


p.s. Also on the musical menu this weekend, Jen Swartout plays tonight at 9:00pm El Rancho Grande in Hampden; Lawnchair (with drummer Jimmy Brink) plays tonight at 10:00pm at the Waterfront Hotel in Fells Point; I may make it to one or both of those, after attending the Shorts Screening at the Creative Alliance. And, The Remnants also play tonight at Armadillo's in Annapolis. Click on their links to the right, pick your pleasure and go out and have a good time tonight! Also keep your eyes peeled for performances by Reina Williams and Lazerbitch, they have each had several performances pop up lately at places such as Joe Squared.

Wednesday, February 11, 2009

Third Time, Getting More Charming

The strangest thing happened a couple of days ago. I started editing, taking a third pass at the movie... and I am not even at the threshold of a deadline!!! I mean, there is one coming up pretty quick, but it is not even the 8th hour, let alone the eleventh. Hmm, I wondered, what gives?

Well, it is not that hard to figure out, really. It is, I am, all about the music right now. Recently Libby, "Lazerbitch" Picken and The Degenerettes joined the cause, and I couldn't wait to find a spot to fit their tunes into. Then on Saturday I went to see The Remnants perform at Cat's Eye (they are there again on 3/27, you must go!!!). Tom Boynton, their singer, songwriter, self-appointed Benevolent Dictator, sent me several shout-outs regarding the movie during their sets. I don't care who you are, having the band say your name onstage is a good feeling, not to mention boku cool points. (Do people say "boku" anymore? Damn, I may just have sent myself into negative points...)

It is simply astounding the difference that music can make when it is perfectly paired with a scene. It is hard to figure out the sound levels, so I have been watching other romantic comedies that have bar and restaurant scenes to help me make educated guesses. Another lesson learned... don't forget that if there is supposed to be music in the background, have your actors talk loudly during taping (when you, of course, have silence in the background).

But what has been happening this week has been very cool... I find myself actually craving to watch a scene that I know I have found the exact perfect song for, when as of just a few weeks ago I was pretty sick of looking at the whole thing and was getting bored of it. But now I have found yet another challenge, another puzzle, and as the pieces fall into place I find it immensely satisfying.

Another facet of that satisfaction is me wanting to make dead certain that all of these musicians who have gotten on board are, in the end, absolutely proud of being associated with "Smalltimore." That, in regards to the actors and crew, was a driving force during the first months of editing. I hadn't expected or thought about that happening again with the musicians. But it is just what I needed to happen.

I think it was seeing Tom onstage saying my name (now I just have to get him to say the name of the film :) ) that did it for me. I've known his music for a decade and have such respect for him and his talent. To see him so tickled, and proud, when I told him I want to use at least six of The Remnants songs, well... it touched me. He hasn't seen anything more than the trailer, and he barely knows me, and he agreed whole-heartedly to do this. I can't let him down.

The last week and a half have been lots of fun, I have been out almost every night, catching up with friends old and new (and the Steelers kicking this period off by winning the Super Bowl for me - that's right, just for me - didn't hurt my mood one bit). I have been so far off the grid for so long, or at least it feels that way, that I was afraid that when I finally came up for air that all my friends would be mad at me or have forgotten me altogether. It has been quite the opposite, and additionally my social skills have not seemed to degrade at all, so that is a good thing. Gives me hope, because I need to get back to business soon, but I can see the light at the end of the tunnel, and then it will be time to start narrowing down the festivals to submit to. It is all good, and though my sleep patterns have still not quite recovered, when I do find myself watching the glow-in-the-dark stars on the ceiling over my bed fade in the wee hours, I am often aware there is a smile on my face.